To this day, it is Balto who is far more recognized by the general public as a hero dog of the Serum Run of 1925 (what little the general public knows about it and him, thanks mostly to the Balto cartoons and the sometimes-seen documentary "Balto: Endurance, Fidelity and Intelligence")
However, in the eyes of dog sled mushers and breeders of Siberian huskies and Seppala sled dogs (two very closely-related breeds, which arose from the same foundation stock), it is Togo, and his half-brother Fritz, who are the most famous. Togo and Fritz are still considered two of the primary foundation dogs of both breeds. The Seppala Sled Dog is still considered, by breeders who do actually breed and work with both, as the older and purer of the two...the closer to Togo and Fritz, and the original Chukchi stock. The Siberian husky, on the other hand, has almost split into two separate lines itself...the more-commonly seen show and conformation line, and the working (sledding) line.
The Siberian husky was officially recognized as a distinct breed, by the American Kennel Club, in 1930...the year after Togo's death.
The Seppala sled dog remains a purely working dog...not recognized by most breed clubs (and the breeders prefer it that way...they do not want their breed's sledding abilities and talent watered down by competition showing and conformation exercises).
The Siberian Husky...a photographic sampling:
http://www.huskycolors.com/colors.html.
The Siberian Husky breed, as presented by the American Kennel Club:
http://www.akc.org/breeds/siberian_husky/index.cfm----------
The Seppala Sled Dog, some breed information:
http://www.seppalas.com/page3.htm and
http://seppalasleddogs.com/default.htmThe Seppala Sled Dog, some sample colors (photos taken from the following websites:
http://members.tripod.com/Arcticsun/SeppalaKennelPage.html and
http://galleries.seppalasleddogs.com/index.htm):














Personally, as I have been looking over various pics of Seppala Siberian Sled Dogs (including the ones shown above), and historical pictures of Togo (which are all black and white, except for the one of his skin mount, which may well have been affected by years of exposure to light and moisture, and just the death of the cells in the fur itself), the more I think the following photo (from the selection above) represents Togo's life coloration (I've included a few black and white historical shots of Togo to compare. Note the parts of his coat which are exceedingly dark; in the fourth historical photo, below, Togo's on the extreme left):